Sunset Boulevard
A dead screenwriter narrates his own murder from the opening frame. Billy Wilder made the perfect noir.
Noir Film Guide
Hollywood 1930 to 1960. The shadows, the venetian blinds, the women who destroy you.
A dead screenwriter narrates his own murder from the opening frame. Billy Wilder made the perfect noir.
Bogart invented the hardboiled detective. Huston invented the noir visual grammar. Same movie.
Fritz Lang. A child murderer hunted by the Berlin underworld because the police are making business impossible. Peter Lorre.
Fritz Lang again. Edward G. Robinson as a timid cashier. Joan Bennett and Dan Duryea dismantle him completely. No redemption.
Robert Mitchum has the best face for doom in cinema history. He knows how this ends.
A detective investigates a murder and falls in love with the dead woman. Gene Tierney. David Raksin score.
Bogart plays a screenwriter everyone suspects of murder. Nicholas Ray. The question of guilt is never resolved.
Orson Welles directed, starred, and had Rita Hayworth dye her hair blonde. Hall of mirrors finale.
Cagney as a psychotic mob boss with a mother fixation. Top of the world.
Robert Mitchum as Max Cady following Gregory Peck everywhere with that smile.
The heist that goes wrong. Every heist movie made since owes this one something.
Fritz Lang made three of the best noirs ever and this is the one people forget.
Two men on a train agree to trade murders. One of them means it. Hitchcock.
LOVE and HATE on his knuckles. The only film Charles Laughton ever directed.
Billy Wilder. Courtroom. Marlene Dietrich. The twist actually works.
Joan Crawford plays a woman who builds a business empire while her daughter destroys her.
Preminger. Dana Andrews accidentally kills someone and tries to cover it up.
Samuel Fuller. A pickpocket accidentally steals microfilm. He does not care about communism at all.
Bogart and Bacall and Robinson stuck in a Florida hotel with a hurricane. John Huston.
A carny cons his way to the top and all the way back down. The 1947 version.
The essential classic film noirs are Sunset Boulevard (1950), The Maltese Falcon (1941), Out of the Past (1947), Laura (1944), and Double Indemnity (1944). These are the films that defined the genre.
The golden age of film noir was roughly 1940 to 1960, when Hollywood produced the bulk of the classic noir films. The genre emerged after World War II and faded with the rise of color television and changing tastes.
The essential film noir directors are Billy Wilder (Sunset Boulevard, Double Indemnity), Fritz Lang (Scarlet Street, The Woman in the Window), John Huston (The Maltese Falcon, The Asphalt Jungle), Otto Preminger (Laura, Where the Sidewalk Ends), and Nicholas Ray (In a Lonely Place).